Lotte Attwood: Wooden Jetty
Black and white film, hand-printed on fibre-based paper, 2021
20 x 29cm
LOTTE ATTWOOD b.1952 is a Cambridge artist who specialises in black and white film photography drawn, she says, to the potential of the medium to capture a particular atmosphere of land and buildings. In 2018 she established Fen Ditton Gallery focussing on a dynamic programme with an increasing emphasis on art inspired by a connection to the natural world.
I am always drawn to photographing environments that maybe lost or changed. My first exhibition, Cambridge Darkroom 1987, was of local allotment sheds, many of these extraordinary, vernacular structures have now disappeared. I have visited the River Deben on several occasions recently, drawn to capture the different traces of river lives.
Black and white film, hand-printed on fibre-based paper, 2021
20 x 29cm
LOTTE ATTWOOD b.1952 is a Cambridge artist who specialises in black and white film photography drawn, she says, to the potential of the medium to capture a particular atmosphere of land and buildings. In 2018 she established Fen Ditton Gallery focussing on a dynamic programme with an increasing emphasis on art inspired by a connection to the natural world.
I am always drawn to photographing environments that maybe lost or changed. My first exhibition, Cambridge Darkroom 1987, was of local allotment sheds, many of these extraordinary, vernacular structures have now disappeared. I have visited the River Deben on several occasions recently, drawn to capture the different traces of river lives.
Black and white film, hand-printed on fibre-based paper, 2021
20 x 29cm
LOTTE ATTWOOD b.1952 is a Cambridge artist who specialises in black and white film photography drawn, she says, to the potential of the medium to capture a particular atmosphere of land and buildings. In 2018 she established Fen Ditton Gallery focussing on a dynamic programme with an increasing emphasis on art inspired by a connection to the natural world.
I am always drawn to photographing environments that maybe lost or changed. My first exhibition, Cambridge Darkroom 1987, was of local allotment sheds, many of these extraordinary, vernacular structures have now disappeared. I have visited the River Deben on several occasions recently, drawn to capture the different traces of river lives.